Cassatt, a successful Impressionist painter, was a woman ahead of her time. Despite her family's strong objections (her father declared he would rather see his daughter dead than living abroad as a "bohemian"), Cassatt left for Paris in 1866. She began her study with private art lessons in the Louvre, where she would study and copy masterpieces. She continued to study and paint in relative obscurity until 1868, when one of her portraits was selected at the prestigious Paris Salon, an annual exhibition run by the French government. With her father's disapproving words echoing in her ears, Cassatt submitted the well-received painting under the name Mary Stevenson.
Cassatt's painting style continued to evolve away from Impressionism in favor of a simpler, more straightforward approach. Her final exhibition with the Impressionists was in 1886, and she subsequently stopped identifying herself with a particular movement or school. Her experimentation with a variety of techniques often led her to unexpected places, including study of Japanese printmaking that resulted in the colored prints exhibited in 1891.