Gustav Klimt, an iconic figure of Viennese Art Nouveau, left an indelible mark on the art world with his audacious and sumptuous works. As the undisputed master of the Viennese Secession, Klimt effortlessly blended symbolism, eroticism, and opulent ornamentation to create a truly unique style. His paintings, genuine hymns to beauty and sensuality, continue to captivate audiences more than a century after their creation.

In this article, we invite you to discover or rediscover the 100 most famous paintings by Gustav Klimt. From his iconic “The Kiss” to the golden portraits of Viennese high society, and through his dreamlike landscapes, immerse yourself in the captivating universe of this visionary artist. Each artwork tells a story, reveals a facet of his creative genius, and bears witness to the evolution of his art over the years. So, delve into the enchanting world of Gustav Klimt and let his mesmerizing masterpieces take you on a journey of artistic brilliance.

The 100 Most Famous Paintings by Gustav Klimt

1- Lady with a Muff

“Lady with a Muff” is a painting created by Gustav Klimt between 1916 and 1917. The artwork depicts an elegant woman dressed in a luxurious gown, holding a fur muff—a fashionable accessory of the time. The woman exudes an aura of mystery and sophistication, capturing the essence of Viennese beauty from the late 19th century.

The background of the painting is adorned with abstract decorative patterns, a hallmark of Klimt’s style. The contrast between the realistic portrayal of the subject and the abstract decor emphasizes the central figure while enhancing the sense of luxury and opulence. The fur muff adds a textural dimension to the composition, highlighting the refinement of the subject.

This work belongs to Klimt’s later period, where the artist delves into a fusion of decorative art and psychological portraiture. “Lady with a Muff” embodies this duality, presenting both the outward appearance and the inner depth of the character depicted.

2- Danaë

“Danaë” is a painting by Gustav Klimt, created between 1907 and 1908, depicting one of the most famous subjects in Greek mythology. Danaë, the daughter of King Acrisius of Argos, was locked in a bronze tower to prevent a prophecy from coming true—that her son would one day kill his grandfather. However, Zeus, in the form of a golden rain, managed to unite with her, resulting in the birth of Perseus.

In this artwork, Klimt portrays Danaë in a sensual, curled-up position, symbolizing surrender and dreamlike reverie. Her body is enveloped in flowing drapery, while the golden rain, representing Zeus, descends in a shimmering cascade to reach her. Danaë’s face reflects both serenity and ecstasy, capturing a moment of passion and mythical transformation.

The rich color palette, dominated by golden and purple hues, enhances the mystical atmosphere of the piece. As often seen in Klimt’s paintings, gold is used not only to evoke wealth but also to impart a divine aura to the scene. The work is distinguished by Klimt’s characteristic style, blending elements of symbolism with Viennese modernism.

“Danaë” is one of Klimt’s most sensual works, showcasing his fascination with the female form and themes of love, desire, and destiny.

3- Two Girls with an Oleander

“Two Girls with an Oleander” is a work by Gustav Klimt, completed in 1890. The painting depicts two young women sitting side by side, surrounded by lush vegetation. The oleander, with its vibrant flowers, frames the female figures and symbolizes vitality and natural beauty.

The two girls, dressed simply yet elegantly, embody an innocent and peaceful youth. Their expressions are calm and contemplative, almost melancholic. Klimt employs soft and harmonious colors to create a serene and intimate atmosphere. The vegetation, painted with meticulous detail, reflects Klimt’s precise style during his early years, before he developed his renowned visual language filled with golden and abstract motifs.

This painting belongs to Klimt’s more academic phase, before he transitioned to a more symbolist and decorative style. The work highlights his talent for capturing both the beauty of female subjects and the richness of the nature surrounding them.

4- Flowing Water

“Flowing Water” is a painting by Gustav Klimt, created in 1898 during his transitional period between academic realism and his more ornamental and symbolist style. This piece is part of the “Philosophy” series, where water serves as a metaphorical element representing the constant flow of life, emotions, and natural forces.

In “Flowing Water,” Klimt explores the concept of movement and flow through the use of fluid, undulating forms. Water, a symbol of transformation and renewal, flows across the composition with graceful curves that suggest continuous energy. The palette is dominated by bluish and silvery tones, evoking both clarity and depth, while golden accents hint at the light reflecting off the water’s surface.

This work foreshadows Klimt’s distinctive decorative style, where ornamentation, repetitive patterns, and natural symbols play a central role. “Flowing Water” illustrates one of the artist’s main fascinations: the relationship between humanity, nature, and the invisible forces that govern the world.

With this painting, Klimt demonstrates mastery in using pictorial techniques to evoke abstract concepts while maintaining striking visual beauty.

5- Ancient Egypt – Isis

In ancient Egypt, Isis (Aset in Egyptian) was one of the most important deities in the Egyptian pantheon. She was the goddess of magic, motherhood, healing, and protection, often depicted as a woman wearing a headdress shaped like a throne or with cow horns encircling a solar disk. Isis was also the sister and wife of Osiris, the god of the afterlife, and the mother of Horus, the god of the sky.

The most famous myth associated with Isis is the story of Osiris’s death and resurrection. After Osiris was murdered by his brother Seth, Isis traveled across Egypt to collect the pieces of her husband’s body and, through her magic, brought him back to life. This myth made Isis a symbol of resurrection and eternal life, as well as a protective mother figure.

The worship of Isis endured for centuries and spread beyond Egypt, influencing beliefs across the Mediterranean world. She was often linked with other fertility and nature goddesses in various ancient cultures.

6- Emilie Flöge

“Emilie Flöge” is a painting by Gustav Klimt, created in 1902. It portrays Emilie Flöge, a Viennese fashion designer and Klimt’s long-time companion. Although they never married, their relationship was extremely close, and Emilie served as a constant muse for the artist throughout his career.

In this portrait, Klimt captures Emilie’s elegance and individuality, depicting her in a luxurious gown, often interpreted as one of her own creations. The dress is richly decorated, reflecting Klimt’s interest in intricate patterns and textures. Unlike the golden, abstract backgrounds seen in many of Klimt’s other works, this piece emphasizes the realism of the portrait while incorporating the decorative elements characteristic of his style.

Emilie Flöge, as a key figure in Viennese fashion of the time, was also a pioneer of the Vienna Secession style, an artistic and cultural movement to which Klimt belonged. She and her sister ran a fashion house that played a significant role in promoting a new style of clothing—more free-flowing and less constrained by traditional corsets.

The portrait of Emilie Flöge showcases Klimt’s fascination with fashion, femininity, and ornamental motifs, while capturing the essence of his muse and close friend.

7 – Baby (Cradle)

“Baby (Cradle)” is a painting created by Gustav Klimt between 1917 and 1918, during the later years of his career. This work is notable for its intimate and evocative portrayal of motherhood.

In this piece, Klimt depicts a mother tenderly holding a sleeping baby in a cradle. The composition exudes softness and serenity, with meticulous attention to detail that highlights the profound bond between mother and child. The mother’s face is serene and devoted, while the baby is shown in a peaceful pose, wrapped in decorative drapery.

Klimt’s style in “Baby (Cradle)” retains his signature features, including the use of decorative patterns and rich textures. The chosen colors are gentle and harmonious, enhancing the atmosphere of tenderness and protection that emanates from the scene.

cThis painting is part of Klimt’s series exploring themes of motherhood and protection, subjects that were particularly meaningful to him. The work exemplifies his ability to capture the essence of personal and intimate moments with a unique artistic sensitivity.

8 – Beethoven Frieze: The Demand After Chance

“Beethoven Frieze: The Demand After Chance“ is a segment of Gustav Klimt’s famous “Beethoven Frieze,” created in 1902 for the Vienna Secession Exhibition. This monumental project was dedicated to celebrating the composer Ludwig van Beethoven and aimed to capture the spirit of his work, particularly the Ninth Symphony.

In this section of the frieze, Klimt explores the theme of “The Demand After Chance,” depicting a dramatic scene where human and allegorical figures struggle for a greater opportunity or aspiration. The painting is rich in symbolism and decorative motifs, featuring stylized forms and vibrant colors that reflect the emotional power of Beethoven’s music.

The figures in this part of the frieze are often shown in motion, illustrating the quest and struggle for higher ideals. Klimt uses ornamental elements to enhance the depth and intensity of the emotions expressed, while incorporating geometric patterns and golden details characteristic of his style.

“The Demand After Chance” is part of a larger cycle exploring themes of the human condition, despair, and hope, and how these emotions are manifested through art and music. The work is a fusion of decorative art and symbolism, showcasing Klimt’s genius in representing abstract concepts through striking visuals.

9 – Painted Composition of Medicine – Gustav Klimt

This work by Gustav Klimt is part of his decorative frescoes for the Academy of Medicine in Vienna. The painting features stylized human figures set against an ornate and golden backdrop. Klimt employs vivid colors and intricate patterns to symbolize medicine and healing, showcasing his characteristic decorative style.

The human figures, represented in an abstract and ornamental manner, are integrated into a harmonious composition where each element contributes to a richly detailed artwork. The decorative motifs and golden elements create an impressive visual effect, typical of Klimt’s Art Nouveau approach.

The painting illustrates how Klimt blends art and symbolism, using his distinctive technique to evoke concepts related to medicine. The work reflects Klimt’s fascination with the harmony between art and nature, offering a unique perspective on the medical theme through an aesthetic and ornate lens.

10 – Hygieia Medicine Detail – Gustav Klimt

“Hygieia Medicine Detail“ is a specific part of the fresco created by Gustav Klimt for the Academy of Medicine in Vienna. This section highlights the figure of Hygieia, the goddess of health and hygiene in Greek mythology, symbolizing medicine and healing.

In this detail, Klimt depicts Hygieia with his characteristic style, using ornamental patterns and vibrant colors. The figure is surrounded by a richly decorated backdrop, blending natural and abstract elements typical of Art Nouveau. The decorative treatment and stylized representation of Hygieia emphasize the significance of the medical theme while showcasing Klimt’s artistic mastery in the use of forms and colors.

11 – Amalie Zuckerkandl – Gustav Klimt

“Amalie Zuckerkandl“ is a portrait by Gustav Klimt that captures the essence of an influential woman from early 20th-century Vienna. Painted in 1917, this work is a remarkable example of Klimt’s portrait style, characterized by its decorative and symbolic approach.

In this portrait, Klimt uses complex ornamental patterns and rich colors to create an image of great elegance. Amalie Zuckerkandl is depicted against an ornate background, typical of Klimt’s works, where the decorative details harmonize with the central figure. The golden texture and elaborate patterns not only highlight the subject’s personality but also the artist’s distinctive style.

The portrait of Amalie Zuckerkandl stands out for its unique blend of realism and abstraction. Klimt captures the sitter’s dignity and character while integrating decorative elements that add an extra dimension to the work. This fusion of realism and stylization is emblematic of Klimt’s style and showcases his skill in merging psychological and visual aspects in his portraits.

12 – Tree of Life from the Stoclet Villa – Gustav Klimt

“Tree of Life“ is an iconic part of the décor created by Gustav Klimt for the Stoclet Palace in Brussels, designed between 1905 and 1911. This ornate motif is one of the central elements of the villa’s wall decoration, a major achievement within the Art Nouveau movement.

The work depicts a stylized tree with sinuous branches and interwoven patterns, symbolizing life and growth. Klimt’s characteristic golden details and geometric motifs are present, offering a vision that is both elegant and symbolic. The use of gold and decorative patterns enriches the composition, highlighting the monumental and sophisticated nature of the design.

This panel is considered a perfect example of Klimt’s decorative style, where art and design merge to create a piece of impressive beauty. The Tree of Life is not only a symbol of nature and continuity but also a reflection of the aesthetic refinement of Art Nouveau, making it a central element of the overall work created for the Stoclet Villa.

13 – Design of the Stoclet Frieze – Gustav Klimt

“The Stoclet Frieze,” created by Gustav Klimt for the Stoclet Palace in Brussels, is a masterwork of Art Nouveau, designed between 1905 and 1911. This decorative frieze is one of Klimt’s most famous achievements and consists of several wall panels, each illustrating ornamental and symbolic motifs.

The design of the frieze is characterized by an abundant use of gold and geometric patterns, creating a rich and complex visual effect. The panels include elements such as the Tree of Life, stylized human figures, and floral motifs, interwoven into a harmonious design. The sinuous forms and elaborate details reflect Klimt’s unique style, which blends symbolism with decorative aesthetics.

The Stoclet Frieze perfectly illustrates Klimt’s ability to integrate art and architecture into a unified and refined composition. Each element is meticulously designed to fit within the space and enhance the opulent atmosphere of the palace. This work is an iconic example of Art Nouveau, showcasing Klimt’s talent for creating pieces that are both visually captivating and deeply symbolic.

14 – Lady with the Hat and the Boa – Gustav Klimt

“Lady with the Hat and the Boa“ is a painting by Gustav Klimt from 1909, part of his series of portraits featuring influential and elegant women. This portrait exemplifies Klimt’s distinctive style, known for its ornate and symbolic depictions.

In this work, the woman is portrayed with an extravagant hat and a fur boa, adding a touch of glamour and sophistication to the composition. Klimt uses detailed decorative patterns and rich colors to emphasize the luxury and refinement of the subject. The background is often adorned with geometric or abstract patterns that contrast with the central figure, highlighting the stylized and elegant nature of the portrait.

“Lady with the Hat and the Boa” illustrates Klimt’s ability to capture the personality and style of his subjects while incorporating decorative elements that enhance the artwork. This portrait is a perfect example of Klimt’s artistic approach, where realism is blended with ornamental aesthetics to create an image that is both captivating and sophisticated.

15 – Judith II – Gustav Klimt

“Judith II“ is an iconic painting by Gustav Klimt from 1909, also known as “Judith and Holofernes.” This work depicts Judith, a biblical figure renowned for decapitating the Assyrian general Holofernes to save her people.

In this portrait, Klimt uses his characteristic ornamental style to bring Judith to life with remarkable sensuality and power. Judith’s figure is painted with great richness of detail, her clothing and the backdrop adorned with golden and geometric patterns typical of Art Nouveau. Judith’s face, with its determined expression, contrasts with the delicacy and complexity of the surrounding motifs.

The painting is distinguished by its bold use of color and texture. Klimt combines symbolic and decorative elements to create a work that is both dramatic and aesthetically captivating, reflecting his unique blend of realism and abstraction. “Judith II” is a perfect example of how Klimt merges symbolism and elegance to produce a work of impressive visual and emotional power.

16 – The Accomplishment – Gustav Klimt

“The Accomplishment“ is a painting by Gustav Klimt from 1905, also known as “The Panel of Accomplishment.” This work is part of the fresco cycle Klimt created for the Academy of Medicine in Vienna, although the project was only partially completed due to controversy and opposition.

In this painting, Klimt represents the concept of accomplishment through a composition rich in symbolism and ornamental details. The work features a central figure surrounded by decorative motifs and allegorical symbols, evoking achievement and success. Klimt’s style, marked by the use of gold and geometric patterns, is particularly prominent in this piece, creating an atmosphere that is both majestic and intimate.

“The Accomplishment” is distinguished by its bold use of color and textures, as well as its ability to blend decorative elements with deeper themes. The painting reflects Klimt’s artistic vision, which seeks to combine aesthetics and symbolism to explore abstract concepts through a sophisticated visual language.

17 – Eugenia Primavesi – Gustav Klimt

“Eugenia Primavesi“ is a portrait by Gustav Klimt from 1914, depicting Eugenia Primavesi, an influential figure in Viennese society. This portrait is an emblematic example of Klimt’s distinctive style, which combines elegance, ornamentation, and psychological sensitivity.

In this work, Klimt captures Eugenia Primavesi with great richness of detail and texture. The figure is surrounded by an elaborate decorative background, characterized by geometric patterns and golden elements typical of Art Nouveau. Primavesi’s clothing is painted with meticulous attention to detail, adding a dimension of luxury and sophistication to the overall portrait.

The portrait of Eugenia Primavesi stands out for its bold use of colors and patterns, as well as the stylized representation of the subject. Klimt manages to create an image that is both intimate and decorative, reflecting the personality of the model while incorporating complex visual elements that enhance the composition.

18 – Allegory of Sculpture – Gustav Klimt

“Allegory of Sculpture“ is a work by Gustav Klimt from 1905, part of his fresco series for the Academy of Fine Arts in Vienna. This painting illustrates sculpture as both an art form and a concept, using Klimt’s distinctive style to express complex ideas through a richly adorned visual language.

In this work, Klimt represents sculpture allegorically, with symbolic figures and decorative motifs. The composition features a central figure embodying sculpture, surrounded by ornamental elements that highlight the theme of art and creativity. The use of golden details and geometric patterns typical of Klimt’s style creates an atmosphere that is both majestic and elegant.

“Allegory of Sculpture” stands out for its ability to combine decorative aesthetics with deep symbolism. Klimt employs his characteristic style to blend realistic and abstract elements, offering a visual representation of the concept of sculpture that is both richly detailed and expressive. The work reflects Klimt’s artistic vision, where art and symbolism intersect to create an image of great beauty and significance.

19 – Love – Gustav Klimt

“Love“ is a painting by Gustav Klimt from 1895. This work is part of Klimt’s early efforts to explore themes of love and sensuality, which would become hallmarks of his later style.

In this piece, Klimt depicts an intimate and emotional scene, emphasizing the expression of love through a composition rich in detail. The human figures are stylized and surrounded by decorative motifs, with a subtle use of color to enhance the romantic atmosphere. The ornamental elements and textures contrast with the softer forms of the figures, enriching the visual dimension of the work.

“Love” stands out for its delicate and elegant approach to the theme, using decorative elements to emphasize the emotional depth of the scene. The work showcases Klimt’s talent for merging decorative aesthetics with symbolic content, creating a visual representation of love that is both intimate and universal.

21 – Island in the Attersee – Gustav Klimt

Island in the Attersee by Gustav Klimt is a vibrant depiction of the serene beauty of the Austrian landscape. Painted during Klimt’s summer retreats, this work showcases his deep connection to nature and his unique approach to landscape art. The painting captures the tranquil waters of Lake Attersee with an island in the center, surrounded by lush greenery and shimmering reflections.

Klimt’s signature style is evident in the textured brushstrokes and the rich, mosaic-like use of color that brings the scene to life. Unlike his symbolic and figure-centered works, Island in the Attersee focuses purely on nature, highlighting Klimt’s versatility as an artist. The soft blending of blues and greens creates a dreamy, almost abstract quality, inviting the viewer into a peaceful and reflective moment within the landscape.

21 – Will-o’-the-Wisps – Gustav Klimt

“Will-o’-the-Wisps“ is a painting by Gustav Klimt completed in 1903. The title, which translates to “Will-o’-the-Wisps,” evokes a mystical and ethereal atmosphere.

In this work, Klimt explores a captivating and somewhat dreamlike theme, using decorative and symbolic elements to create an intriguing composition. The painting depicts stylized female figures in a fantastical environment, where floating lights and abstract patterns evoke a dreamlike ambiance. The forms are fluid, and the ornamental details are rich, typical of Klimt’s style, with a particular emphasis on colors and textures to enhance the magical quality of the scene.

“Will-o’-the-Wisps” stands out for its ability to merge realistic elements with mystical and symbolic aspects. Klimt employs his distinctive approach to explore themes related to illusion and perception, creating a work that is both visually captivating and deeply meaningful.

22 – Seated Young Woman – Gustav Klimt

“Seated Young Woman“ is a portrait painted by Gustav Klimt in 1909. This work is characteristic of Klimt’s style, showcasing his mastery of portraiture and his distinctive approach to female representation.

In this painting, Klimt depicts a young woman seated with an elegant posture and a contemplative expression. The figure is surrounded by a background adorned with complex decorative patterns, typical of Klimt’s Art Nouveau style. The details of the clothing and the décor are rendered with great precision, using rich colors and golden motifs to highlight the beauty and sophistication of the subject.

“Seated Young Woman” stands out for the harmonious integration of the central figure into a decorative environment. Klimt manages to capture both the personality of the model and the sensuality of the composition while using ornamental elements to enhance the work. This portrait illustrates Klimt’s ability to blend realism with stylization, creating an image that is both intimate and aesthetically refined.

23 – Judith with the Head of Holofernes – Gustav Klimt

“Judith with the Head of Holofernes“ is a painting by Gustav Klimt completed in 1901. This work, also known as “Judith and Holofernes,” is one of Klimt’s most famous pieces and depicts a dramatic moment from the Hebrew Bible.

In this painting, Klimt portrays Judith, a biblical heroine who beheaded the Assyrian general Holofernes to save her city. Judith is depicted with a determined yet seductive expression, holding Holofernes’ head in one hand and a dagger in the other. The painting is noted for its bold use of gold and ornamental patterns, characteristic of Klimt’s Art Nouveau style.

“Judith with the Head of Holofernes” stands out for its richly detailed and textured composition. Klimt uses decorative motifs and golden elements to emphasize the dramatic and symbolic nature of the scene, while also highlighting the sensuality and power of the central figure. The work is a remarkable example of how Klimt combines symbolic and decorative art to create an image that is both captivating and evocative.

24 – Tree of Life, Central Section (Detail) – Gustav Klimt

“Tree of Life, Central Section (Detail)“ is an iconic part of the frieze created by Gustav Klimt for the Stoclet Palace in Brussels. This detail is one of the most recognizable sections of the entire decorative ensemble, illustrating the theme of the Tree of Life with a wealth of ornamental details.

In this central section, Klimt depicts a stylized tree with sinuous, intertwining branches, symbolizing life, growth, and continuity. The branches are adorned with geometric patterns and golden details that add both decorative and symbolic dimensions to the composition. The color palette is characterized by golden tones and deep hues, enhancing the beauty and complexity of the motif.

“Tree of Life, Central Section (Detail)” stands out for its meticulous and ornate treatment of forms and textures. Klimt successfully blends decorative art with symbolism to create an image that is both visually captivating and rich in meaning. This detail exemplifies Klimt’s ability to integrate artistic and conceptual elements into a work of remarkable elegance.

25 – Jurisprudence – Gustav Klimt

“Jurisprudence“ is a work created by Gustav Klimt between 1907 and 1908, and it is part of his famous frescoes for the Vienna Academy of Law. This painting is an allegorical representation of jurisprudence, depicting themes of justice and law with Klimt’s distinctive aesthetic.

In this piece, Klimt combines symbolic and decorative elements to represent jurisprudence in a rich and complex manner. The composition features allegorical figures surrounded by golden motifs and ornamental details that are typical of Klimt’s style. The central figure is often an allegory of justice, surrounded by symbols related to law and judgment, while geometric patterns and fluid forms enrich the background.

“Jurisprudence” is distinguished by its characteristic use of gold and decorative patterns, creating an atmosphere that is both majestic and contemplative. Klimt successfully merges realistic and symbolic elements to offer a visual representation of jurisprudence that is both elegant and meaningful. This work is a perfect example of how Klimt integrates complex themes into a refined and ornate visual framework.

26 – The waiting – Gustav Klimt

“The waiting“ is a painting created by Gustav Klimt in 1905. This work is a remarkable example of Klimt’s Symbolist period, where he explores themes of emotion and contemplation through a distinctive ornamental style.

In “The waiting,” Klimt depicts a seated female figure expressing patience and introspection. The character is often portrayed in a contemplative posture, surrounded by complex decorative motifs that enrich the scene. The use of gold and rich colors, along with geometric and floral patterns, are characteristic of Klimt’s Art Nouveau style and add both visual and symbolic dimensions to the work.

“The waiting” stands out for its ability to merge an intimate emotional representation with elaborate decorative aesthetics. Klimt captures an atmosphere of tranquility and meditation while integrating complex visual elements that enhance the symbolic and ornate nature of the piece.

27 – The Auditorium of the Old Castle Theater – Gustav Klimt

The Auditorium of the Old Castle Theater is a painting created by Gustav Klimt in 1909. This artwork is part of Klimt’s exploration of architectural and decorative themes, incorporating his distinctive ornamental style into various contexts.

In The Auditorium of the Old Castle Theater, Klimt depicts the interior of a theater auditorium with a particular focus on architectural and decorative details. The painting is characterized by a rich use of geometric patterns and vivid colors, typical of Klimt’s Art Nouveau style. Ornamental elements, such as floral motifs and golden details, are integrated to create an elegant and sophisticated ambiance.

The Auditorium of the Old Castle Theater stands out for its decorative approach and its ability to capture the atmosphere of an interior space with great visual precision. Klimt skillfully blends architectural elements with ornamental motifs to create a work that is both visually captivating and rich in detail. This painting reflects Klimt’s interest in integrating art into architectural and decorative contexts, while showcasing his unique style.

28 – The Island on Lake Attersee – Gustav Klimt

“The Island on Lake Attersee“ is a painting created by Gustav Klimt in 1901. This work is one example of how Klimt captures natural beauty through a distinctive style that blends precision and ornamentation.

In this piece, Klimt represents a picturesque view of an island located on Lake Attersee in Austria, a place that often inspired the artist. The composition depicts a tranquil scene where the lush vegetation and the calm waters of the lake are rendered with great attention to detail. Colors are used to capture the light and atmosphere of the landscape, while subtle ornamental elements add a distinctive touch to the work.

The Island on Lake Attersee stands out for its delicate and aesthetic treatment of the landscape. Klimt manages to combine realism with artistic sensitivity, creating an image that is both true to nature and rich in visual details. This painting reflects Klimt’s interest in natural environments and showcases his ability to translate the beauty of the natural world into an elegant and captivating work of art.

29 – The Family Embrace – Gustav Klimt

“The Family Embrace“ is a painting created by Gustav Klimt in 1912. This work exemplifies Klimt’s interest in familial and intimate themes, exploring relationships and emotions through his distinctive style.

In this painting, Klimt depicts a scene of familial tenderness with great delicacy. The composition shows a family, often consisting of female figures and children, in an embrace or close interaction. The figures are surrounded by an ornate and richly detailed background, featuring geometric patterns and golden elements characteristic of Klimt’s Art Nouveau style.

The Family Embrace stands out for its ability to capture the intimacy and warmth of familial relationships while integrating elaborate decorative elements. Klimt uses vibrant colors and rich textures to create an atmosphere that is both warm and visually captivating. The work reflects Klimt’s sensitivity to representing human emotions and personal relationships, while showcasing his talent for detail and aesthetics.

30 – Hope II – Gustav Klimt

“Hope II“ is a painting created by Gustav Klimt in 1907. This work is a symbolic piece that illustrates themes of maternity and hope, exploring personal emotions and concerns through Klimt’s distinctive style.

In this painting, Klimt depicts a pregnant woman in a meditative pose, surrounded by decorative and ornamental motifs. The central figure is often stylized, with a rounded belly that emphasizes the themes of maternity and the impending life. The background is rich with ornamental details, including geometric patterns and golden elements characteristic of Klimt’s Art Nouveau style.

Hope II stands out for its blend of realism and stylization. Klimt uses delicate colors and complex patterns to create an atmosphere imbued with serenity and hope. The work is both a celebration of maternity and a reflection on themes of hope and life, while showcasing Klimt’s signature aesthetic that finely combines decorative and symbolic elements.

31 – Hope I ( Die Hoffnung) – Gustav Klimt

“Hope I“ (or “Hope I”, “Die Hoffnung”) is a painting completed by Gustav Klimt in 1903. This work represents one of Klimt’s early explorations of themes related to maternity and hope, employing his distinctive ornamental style to address these subjects with deep emotional resonance.

In this painting, Klimt portrays a young pregnant woman in an introspective pose, surrounded by symbolic and decorative motifs. The rounded belly of the central figure is emphasized, highlighting the themes of maternity and the promise of forthcoming life. The background of the painting is adorned with geometric patterns and golden details, typical of Klimt’s Art Nouveau style, creating a visual contrast with the softness and vulnerability of the main figure.

Hope I stands out for its blend of realism and abstraction, with a subtle use of colors and textures to express hope and serenity associated with maternity. The work reflects Klimt’s ability to combine decorative elements with profound and personal themes, offering a visually rich representation full of emotion and meaning.

32 – The Lady with the Fan – Gustav Klimt

“The Lady with the Fan“ is a portrait painted by Gustav Klimt between 1917 and 1918. This work is a notable example of Klimt’s style, combining elegance, sophistication, and ornamental details in his portraits of women.

In this painting, Klimt depicts an elegant woman holding a fan, adding a touch of refinement and mystery to the image. The figure is dressed in garments adorned with complex patterns and rich colors, while the background of the composition is decorated with geometric and ornamental motifs typical of Art Nouveau. The golden details and sophisticated textures highlight the beauty and class of the subject.

The Lady with the Fan stands out for its ability to capture both the personality of the model and the decorative aspect of the artwork. Klimt uses his distinctive style to create an image that is both intimate and visually captivating, where the sensuality and charm of the central figure are accentuated by the surrounding ornamental elements. The work reflects Klimt’s interest in female portraits and his mastery of decorative aesthetics.

33 – The Dancer – Gustav Klimt

“The Dancer“ is a painting created by Gustav Klimt between 1916 and 1917. This work highlights Klimt’s interest in movement and the beauty of the human body, while showcasing his characteristic ornamental style.

In this painting, Klimt depicts a woman dancing, capturing the grace and motion of the dance with great sensitivity. The dancer is portrayed with an elegant posture, and her body is adorned with decorative patterns that add a rich visual dimension to the work. The background is often embellished with geometric patterns and golden details, typical of Klimt’s Art Nouveau style, which enhances the subject and creates a vibrant and sophisticated atmosphere.

The Dancer stands out for its ability to blend the realism of movement with decorative aesthetics. Klimt uses rich colors and elaborate textures to accentuate the beauty and energy of the dancer, while integrating ornamental elements that enrich the composition. This painting reflects Klimt’s mastery in representing the human body and his talent for creating visually captivating and expressive works.

34 – Beethoven Frieze: The Aspiration for Happiness Finds Refuge in Poetry, Right Wall – Gustav Klimt

“Beethoven Frieze: The Aspiration for Happiness Finds Refuge in Poetry“ on the right wall is part of the famous Beethoven Frieze created by Gustav Klimt between 1907 and 1908 for the Stoclet Palace in Brussels. This frieze is a complex work that illustrates themes of music and poetry through a style rich in symbolism and ornamentation.

On the right wall, Klimt depicts the idea that the aspiration for happiness can find refuge in poetry, using symbolic motifs to convey this concept. The composition features allegorical figures and poetic scenes surrounded by decorative motifs and golden details. The characters are often stylized and integrated into an ornate environment, reflecting the dreamy and contemplative atmosphere of poetry.

The Beethoven Frieze: The Aspiration for Happiness Finds Refuge in Poetry is distinguished by its elaborate use of gold and ornamental patterns, creating an ambiance that is both majestic and introspective. Klimt successfully captures the essence of poetry and the pursuit of happiness through a visually rich representation full of details and symbolism. This part of the frieze illustrates Klimt’s ability to integrate complex themes into a visually captivating and aesthetically refined artwork.

35 – The Unfinished Bride – Gustav Klimt

“The Unfinished Bride“ is a painting by Gustav Klimt completed between 1917 and 1918. This work is one of Klimt’s last before his death and stands out for its distinctive approach to the theme of the bride.

In this painting, Klimt portrays a female figure in a wedding posture, yet the image remains incomplete and fragmented. The bride is surrounded by decorative motifs and ornamental details characteristic of Klimt’s style. The composition includes golden elements and geometric patterns, but the unfinished nature of the piece gives it an open and incomplete character.

The Unfinished Bride is distinguished by its visual and emotional treatment. Klimt uses his signature style to create an image that is both elegant and mysterious, leaving an impression of fragility and unrealized potential. The work reflects Klimt’s ability to blend symbolism with decorative aesthetics while offering a personal and introspective vision of the bride theme.

36 – Medicine – Gustav Klimt

“Medicine“ is a work created by Gustav Klimt between 1900 and 1907, which was part of a series of murals for the University of Vienna. This painting illustrates the theme of medicine, a subject Klimt explored by combining symbolic and decorative elements in his distinctive style.

In “Medicine,” Klimt depicts an allegorical figure of medicine, surrounded by symbols and motifs that evoke themes of healing and health. The composition is rich in ornamental details, with geometric patterns and golden elements typical of Art Nouveau. The central figure is often accompanied by secondary figures and symbols related to medicine, creating an atmosphere of grandeur and sophistication.

“Medicine” is distinguished by its fusion of realism and stylization. Klimt uses rich colors and elaborate textures to create a visually captivating work that expresses the complexity and dignity of the medical field. The piece is an example of Klimt’s ability to integrate conceptual themes into a decorative composition, offering a visually elegant and significant representation of the medical domain.

37 – The Kiss – Gustav Klimt

“The Kiss“ is one of Gustav Klimt’s most iconic works, painted in 1907-1908. This painting is often considered a masterpiece of the Art Nouveau style and is renowned for its innovative treatment of sensuality and intimacy.

In “The Kiss,” Klimt depicts a couple embraced in a passionate kiss, surrounded by a richly adorned background. The figures are covered in geometric and floral golden patterns, creating a luxurious texture and visual depth. The background of the painting is also decorated with golden elements and elaborate motifs, enhancing the decorative and symbolic aspects of the work.

“The Kiss” stands out for its unique combination of realism and abstraction. Klimt uses a palette of golden hues and complex textures to emphasize the sensuality and intensity of the scene. The painting captures both the passion and intimacy of the moment, while integrating decorative elements that enrich the image and give it an almost mystical quality. The work reflects Klimt’s talent for blending decorative art with emotion, creating an image that is both visually captivating and deeply expressive.

38 – Tears of Gold – Gustav Klimt

“Tears of Gold“ is a work by Gustav Klimt created in 1909. This painting is notable for its exploration of pain and sorrow, represented through Klimt’s distinctive style.

In “Tears of Gold,” Klimt depicts a woman in tears, with golden tears streaming down her face. The central figure is surrounded by ornamental patterns and decorative details typical of Klimt’s Art Nouveau style. The golden tears contrast with the darker colors and textures of the rest of the work, emphasizing the theme of sadness and grief while adding a luxurious visual dimension.

“Tears of Gold” stands out for its symbolic use of color and patterns. Klimt succeeds in expressing emotional depth through sophisticated decorative elements, while incorporating golden details to underscore the intensity of the emotions portrayed. The work illustrates Klimt’s ability to combine decorative aesthetics with emotional content, creating an image that is both poignant and visually captivating.

39 – Death and Life – Gustav Klimt

“Death and Life“ is a painting by Gustav Klimt created in 1915. This work is one of Klimt’s most powerful and complex, illustrating universal themes of mortality and life through his distinctive style.

In “Death and Life,” Klimt presents a dramatic contrast between death and life, using symbolic and decorative motifs to reinforce the message. The composition features a figure of Death, often depicted in a dark and menacing manner, surrounded by figures representing life, which are typically vibrant and full of movement. The characters are integrated into an ornate setting, with geometric patterns and golden elements adding a rich visual dimension.

“Death and Life” stands out for its emotional and symbolic treatment of themes. Klimt uses contrasting colors and elaborate textures to create a work that is both visually captivating and meaningful. The painting reflects Klimt’s ability to merge decorative elements with profound and universal themes, offering a poignant vision of the duality between life and death.

40 – The Knight – Gustav Klimt

“The Knight“ is a painting by Gustav Klimt completed in 1908. This work exemplifies Klimt’s interest in historical and symbolic themes, rendered through his distinctive style.

In “The Knight,” Klimt depicts a character in armor striking a noble and majestic pose. The figure is adorned with ornamental details and decorative motifs that enrich the image while highlighting the knight’s elegance and grandeur. The background of the painting often features geometric patterns and golden textures, typical of Klimt’s Art Nouveau style.

“The Knight” is distinguished by its blend of realism and stylization. Klimt uses rich colors and elaborate details to create a work that is both visually striking and imbued with symbolism. The painting reflects Klimt’s fascination with historical and heroic themes, while incorporating decorative elements that add an aesthetic dimension to the piece.

41 – The Friends – Gustav Klimt

“The Friends“ is a painting by Gustav Klimt created between 1917 and 1918. This work beautifully illustrates Klimt’s interest in human relationships and the depiction of women in intimate and social contexts.

In “The Friends,” Klimt portrays a group of women sharing a moment of camaraderie and complicity. The figures are depicted with a keen attention to ornamental details and decorative motifs, characteristic of Klimt’s Art Nouveau style. The women are dressed in garments rich in textures and patterns, and the background of the painting is often adorned with geometric and golden motifs that complement the composition.

“The Friends” stands out for its delicate treatment of female relationships and the use of colors and patterns that add visual depth to the work. Klimt successfully captures the spirit of friendship and female solidarity while integrating his distinctive decorative style, creating an image that is both elegant and emotive. The work reflects Klimt’s ability to combine aesthetic beauty with emotional content, offering a rich and nuanced view of human relationships.

42 – The Three Ages of Woman – Gustav Klimt

“The Three Ages of Woman“ is a painting by Gustav Klimt created in 1905. This work is one of Klimt’s most famous and explores themes of femininity and the passage of time.

In “The Three Ages of Woman,” Klimt depicts three female figures representing different stages of life: youth, adulthood, and old age. The composition shows a young woman with a child, an adult woman in a meditative pose, and an elderly woman in a more vulnerable position. The figures are surrounded by rich decorative motifs and ornamental details typical of Klimt’s Art Nouveau style.

“The Three Ages of Woman” stands out for its ability to capture the beauty and complexity of different stages of female life. Klimt uses vibrant colors and elaborate patterns to create a work that is both visually rich and meaningful. The painting reflects Klimt’s interest in expressing universal themes through decorative and symbolic aesthetics, offering a poignant representation of the cycle of life.

43 – The Maiden – Gustav Klimt

“The Maiden“ is a painting by Gustav Klimt completed between 1913 and 1914. This work is notable for its exploration of themes of youth and purity through Klimt’s distinctive ornamental style.

In “The Maiden,” Klimt depicts three young women in a composition rich in decorative details. The figures are surrounded by floral and geometric motifs that add a complex visual dimension to the artwork. The women are often portrayed in graceful and stylized poses, with garments adorned with elaborate patterns and vibrant colors.

“The Maiden” stands out for its aesthetic and symbolic approach to youth and purity. Klimt uses a palette of vivid colors and refined textures to create a piece that is both elegant and expressive. The painting reflects Klimt’s ability to integrate personal and universal themes into a visually captivating composition, while highlighting his talent for decorative art and the representation of feminine beauty.

44 – Mother and Child – Gustav Klimt

“Mother and Child“ is a painting by Gustav Klimt created in 1905. This work is a touching example of Klimt’s interest in themes of motherhood and parental relationships, illustrated through his distinctive style.

In “Mother and Child,” Klimt depicts an intimate scene between a mother and her child. The figure of the mother is often shown in a protective and loving posture, holding or embracing her child with tenderness. The figures are enveloped in an ornate backdrop, featuring floral and geometric patterns that add visual richness to the composition. The use of gold and warm colors enhances the softness and emotion of the scene.

45 – Mother and Twins – Gustav Klimt

“Mother and Twins“ is a painting created by Gustav Klimt in 1905. This work explores the theme of motherhood through Klimt’s distinctive decorative style, highlighting the tenderness and connection between a mother and her children.

In “Mother and Twins,” Klimt portrays a mother holding her two twins in her arms. The scene exudes softness and intimacy, with the figures focused on the affectionate relationship between the mother and her children. The characters are surrounded by ornamental patterns, including floral and geometric details that enhance the composition. The use of soft colors and golden elements contributes to creating a warm and protective atmosphere.

“Mother and Twins” stands out for its sensitive representation of motherhood and family bonds. Klimt employs his ornamental style to accentuate the emotion and tenderness of the scene, while integrating decorative elements that add visual depth to the work. The painting reflects Klimt’s skill in capturing universal themes with elegance and visual richness, offering a poignant view of the relationship between a mother and her children.

46 – Birch Forest – Gustav Klimt

“Birch Forest“ is a painting created by Gustav Klimt in 1903. This work is a notable example of Klimt’s interest in nature and landscapes, illustrated through his distinctive and ornate style.

In “Birch Forest,” Klimt depicts a forest scene dominated by slender birch trees. The trees are painted with particular attention to detail, capturing the texture and light of the forest. The background is often rich in decorative and ornamental patterns, adding a unique visual dimension to the natural landscape.

“Birch Forest” stands out for its ability to merge the realism of the landscape with a decorative aesthetic. Klimt uses subtle colors and intricate details to create a serene and elegant atmosphere, while showcasing his characteristic ornamental style. The work reflects Klimt’s fascination with nature and his ability to represent landscapes in a visually rich and stylistically innovative manner.

47 – Beethoven Frieze: Hostile Powers – Detail of the Distant Wall – Gustav Klimt

“Beethoven Frieze: Hostile Powers“ is a detail from the distant wall of the famous Beethoven frieze, painted by Gustav Klimt between 1907 and 1908 for the Stoclet Palace in Brussels. This work is a major example of Klimt’s style and his artistic interpretation of Beethoven’s music and philosophy.

In the “Hostile Powers” detail, Klimt illustrates allegorical figures representing opposing and threatening forces. These figures are often stylized and surrounded by decorative motifs, integrated into an ornate framework that reflects the Art Nouveau style. The characters are depicted with dynamic forms and powerful expressions, evoking a sense of conflict and tension.

“Hostile Powers” is distinguished by the use of contrasting colors and elaborate patterns to enhance the visual and symbolic impact of the figures. Klimt succeeds in combining a visually rich representation with dramatic themes, creating an atmosphere of grandeur and tension. This detail of the frieze reflects Klimt’s ability to integrate decorative elements with profound philosophical concepts, offering a complex and expressive vision of Beethoven’s work.

48 – Idyll – Gustav Klimt

“Idyll“ is a painting created by Gustav Klimt in 1884, marking the early stages of Klimt’s career and illustrating his initial stylistic explorations before he developed his renowned Art Nouveau style.

In “Idyll,” Klimt depicts a bucolic and romantic scene, typical of genre paintings from the late 19th century. The painting portrays figures in a serene landscape, with a focus on the details of nature and the representation of everyday life in an idyllic setting. The figures are shown in graceful poses, and the background often features lush landscapes, emphasizing the peaceful and harmonious character of the scene.

“Idyll” is notable for its use of color and light to create an atmosphere of tranquility and dreaminess. Although this work precedes Klimt’s most famous period, it already reflects his talent for composition and his interest in themes of nature and beauty. The painting serves as an example of how Klimt stylistically evolved, while showcasing his early influences and artistic sensibility.

49- The Golden Knight – Gustav Klimt

The Golden Knight is a painting created by Gustav Klimt in 1907. This work is a notable example of Klimt’s decorative period, during which he explored symbolic and ornamental themes through his distinctive style.

In The Golden Knight, Klimt depicts a figure in golden armor, paying particular attention to ornamental details. The figure is enveloped in complex patterns and rich colors, creating a striking contrast with the often geometric and floral patterned background. The use of gold and decorative details enhances the grandeur and majesty of the knight, while incorporating Klimt’s typical aesthetic.

The Golden Knight stands out for its ability to blend realism and abstraction. Klimt uses vibrant colors and sophisticated textures to create an image that is both elegant and symbolic. The painting reflects Klimt’s interest in heroic themes and his mastery of decorative style, offering a visually rich representation full of detail and significance.

50- The Ancient Theatre of Taormina – Gustav Klimt

“The Ancient Theatre of Taormina” is a painting created by Gustav Klimt in 1899. This work exemplifies Klimt’s interest in landscapes and historical monuments before he shifted his focus primarily to his renowned portraits and decorative works.

In “The Ancient Theatre of Taormina,” Klimt depicts the ruins of the ancient theater located in Taormina, Sicily. The painting captures the grand scene of the theater, with its columns and arches in ruins, set against a Mediterranean landscape. Klimt employs rich colors and textured details to convey the majesty and degradation of the historic site.

“The Ancient Theatre of Taormina” is distinguished by its detailed treatment of the monument and its historical atmosphere. Klimt highlights the architectural elements of the theater while integrating them into a natural setting, creating a work that evokes both the past grandeur and the timeless beauty of the location. This painting reflects Klimt’s talent for representing landscapes and historical sites, offering an artistic and personal vision of the ancient monument.

51 – Pallas Athena – Gustav Klimt

Pallas Athena is a painting created by Gustav Klimt in 1898. This work illustrates Klimt’s early style before he shifted to his renowned decorative and symbolic compositions.

In Pallas Athena, Klimt depicts the Greek goddess Athena, goddess of wisdom, strategy, and war. Athena is shown in a majestic posture, adorned with characteristic armor and helmet. The painting is distinguished by its meticulous details and decorative elements, reflecting Klimt’s interest in classical antiquity and mythological themes.

Pallas Athena is characterized by its heroic and detailed representation of the goddess. Klimt uses rich colors and ornamental patterns to create an image that is both imposing and elegant. The work reflects Klimt’s mastery in creating mythological portraits while incorporating stylistic elements that foreshadow his evolution toward more decorative and symbolic works.

52 – Philosophy (Final State) – Gustav Klimt

Philosophy (Final State) is a painting by Gustav Klimt created between 1907 and 1908, designed as part of the frieze for the University of Vienna. This work is one of the three large frescoes Klimt produced for the Faculty of Philosophy, alongside Medicine and Jurisprudence.

In Philosophy (Final State), Klimt presents a complex and symbolic vision of philosophy. The painting features a richly detailed composition where allegorical figures blend with decorative elements. At the center of the work, characters embodying various philosophical and intellectual ideas are surrounded by ornamental patterns and golden details. The scene is dominated by dynamic forms and vibrant colors, creating an atmosphere that is both grandiose and contemplative.

Philosophy (Final State) stands out for its fusion of realism and stylization. Klimt employs decorative techniques to emphasize the symbolic and abstract aspects of philosophy, while incorporating narrative elements that illustrate intellectual concepts. The painting reflects Klimt’s ability to combine profound themes with a rich and ornamental aesthetic, offering a visual representation that is both elegant and evocative of philosophy.

53 – Golden Fish – Gustav Klimt

Golden Fish is a painting created by Gustav Klimt in 1907-1908. This work is a striking example of Klimt’s fascination with ornamental motifs and symbols in his distinctive style.

Golden Fish stands out for its combination of realism and abstraction. Klimt employs golden hues and refined textures to craft a visually impressive piece that highlights the fish while incorporating decorative elements typical of his Art Nouveau style. The work reflects Klimt’s ability to transform natural motifs into elegant artistic creations, enriched by his unique sense of aesthetics and symbolism.

54 – Silver Fish – Gustav Klimt

Silver Fish is a painting created by Gustav Klimt in 1907. This work is part of a series in which Klimt explores natural themes through his distinctive ornamental style.

Silver Fish stands out for its skillful use of color and texture to emphasize the natural subject while incorporating decorative elements that enrich the composition. Klimt succeeds in transforming a simple subject into a sophisticated and visually captivating work of art, demonstrating his talent for blending realism with stylization.

55 – Portrait of Adele Bloch-Bauer I – Gustav Klimt

Portrait of Adele Bloch-Bauer I is an iconic painting created by Gustav Klimt in 1907. This artwork is one of Klimt’s most famous portraits and is renowned for its bold use of gold and ornamental patterns.

In Portrait of Adele Bloch-Bauer I, Klimt depicts Adele Bloch-Bauer, a wealthy patron and the wife of a Viennese industrialist. She is portrayed in a gown adorned with intricate golden motifs, surrounded by a composition rich in decorative details. The figure is set against a stylized backdrop, filled with geometric and floral patterns that enhance the luxurious character of the work. Adele’s face is rendered with great delicacy, capturing her grace and elegance.

Portrait of Adele Bloch-Bauer I is distinguished by its innovative use of gold and decorative techniques. Klimt uses ornamental elements to create an image that is both elegant and opulent, while showcasing the distinctive style of the Art Nouveau period. The work is also notable for its expressive and stylized portrayal of the subject, combining portraiture, décor, and symbolism into a harmonious and visually striking composition.

56 – Portrait of Adele Bloch-Bauer II – Gustav Klimt

Portrait of Adele Bloch-Bauer II is a painting created by Gustav Klimt in 1912. This work is the second portrait of Viennese patron Adele Bloch-Bauer and presents a different approach compared to the earlier Portrait of Adele Bloch-Bauer I.

In Portrait of Adele Bloch-Bauer II, Klimt depicts Adele Bloch-Bauer in an elegant pose, surrounded by an ornate backdrop. Unlike the first portrait, where gold dominates, this painting uses a more varied color palette, featuring shades of green and blue, while still incorporating intricate decorative motifs. Adele is dressed in a richly adorned gown, and the background is composed of floral and geometric patterns, characteristic of Klimt’s style.

Portrait of Adele Bloch-Bauer II is distinguished by its subtle use of color and patterns. Klimt blends decorative elements with a more intimate and personal portrayal of his subject. The painting highlights Bloch-Bauer’s elegance while exploring visual richness and texture, offering a refined and stylized vision of the patron’s personality.

57 – Portrait of Emilie Flöge – Gustav Klimt

Portrait of Emilie Flöge is a painting created by Gustav Klimt in 1902. This artwork is one of Klimt’s most famous portraits, highlighting his personal and professional relationship with Emilie Flöge, a Viennese fashion designer and a significant figure in the artist’s life.

In Portrait of Emilie Flöge, Klimt portrays Emilie Flöge in an elegant and graceful pose. She is dressed in a gown adorned with intricate and stylized patterns, typical of Klimt’s Art Nouveau style. The background of the painting is richly decorated with floral and geometric motifs, creating a striking contrast with the central figure. The gown and the decorative details reflect Klimt’s interest in design and ornamentation, while Flöge’s face is depicted with a characteristic softness and delicacy.

Portrait of Emilie Flöge stands out for its decorative and stylized approach to portraiture. Klimt uses vivid colors and elaborate patterns to create an image that is both elegant and sophisticated. The artwork reflects Klimt’s ability to combine portraiture, design, and decorative art while emphasizing Flöge’s importance within his artistic and personal circle.

58 – Farmhouse with Birch Trees – Gustav Klimt

Farmhouse with Birch Trees is a painting created by Gustav Klimt in 1903. This work is an example of Klimt’s period where he explored natural and rural landscapes, before focusing on his famous decorative and symbolic works.

In Farmhouse with Birch Trees, Klimt depicts a farm scene surrounded by birch trees, typical of Central European landscapes. The composition showcases the agricultural buildings in a natural setting, with trees and fields adding a serene touch to the painting. The birch trees are painted with distinctive details, while the background is often composed of colors and textures that emphasize the simplicity and beauty of the rural landscape.

Farmhouse with Birch Trees stands out for its ability to capture the essence of the landscape while integrating subtle decorative elements. Klimt uses natural colors and painting techniques to create a peaceful and harmonious image, demonstrating his talent for landscape representation. The work reflects Klimt’s interest in nature and his ability to portray rural scenes with a unique artistic sensitivity.

59 – Fable – Gustav Klimt

Fable is a painting created by Gustav Klimt in 1884. This work is an early example of Klimt’s interest in symbolic and narrative themes, before he transitioned to his more decorative and ornate style in later years.

In Fable, Klimt portrays a scene inspired by tales or myths, typical of his works from this period. The painting features fantastical or mythological figures within a composition rich in detail. The characters are often surrounded by decorative motifs and vibrant colors, creating an atmosphere that is both magical and mysterious.

Fable stands out for its narrative and symbolic approach to the subject matter. Klimt employs decorative elements and expressive colors to enrich the composition and emphasize the fantastical nature of the scene. The work reflects Klimt’s talent for creating evocative and stylized images, while showcasing his early explorations into the realms of symbolism and visual storytelling.

60 – The Globe Theatre in London – Gustav Klimt

The Globe Theatre in London is a painting created by Gustav Klimt in 1896. This artwork reflects Klimt’s interest in historical monuments and urban scenes, before he focused primarily on his decorative and symbolic works.

In The Globe Theatre in London, Klimt depicts the famous Elizabethan theater, a prominent landmark in London at the time. The painting showcases the theater’s architecture in a detailed and realistic style, capturing the characteristic elements of the building as well as the atmosphere of the era. The background is often composed of shades that add depth and context to the scene.

The Globe Theatre in London stands out for its precise and historical representation of the monument. Klimt uses painting techniques to create a faithful and vivid image of the theater, while incorporating elements that highlight his talent for architectural depiction. The work reflects Klimt’s interest in historical structures and his ability to capture them with attention to detail and artistic sensitivity.

61 – Sunflower – Gustav Klimt

Sunflower is a painting created by Gustav Klimt in 1907. This work is part of Klimt’s series exploring floral and natural themes through his characteristic decorative and ornate style.

In Sunflower, Klimt depicts a sunflower, or several, in a composition rich in color and patterns. The sunflower is painted with particular attention to detail, highlighting the petals and textures of the flower. The background of the work is often composed of decorative patterns that complement the floral subject, creating a visual harmony between the main subject and the surrounding decor.

Sunflower stands out for its expressive use of color and patterns. Klimt blends natural elements with decorative ones to create a piece that is both vibrant and stylized. The work reflects Klimt’s interest in nature and his ability to transform simple subjects into sophisticated artistic compositions, while integrating ornamental elements that enrich the entire piece.

62 – Mother with Children – Gustav Klimt

Mother with Children is a painting created by Gustav Klimt in 1905. This work is a poignant and expressive example of Klimt’s ability to depict intimate and familial themes.

In Mother with Children, Klimt portrays a woman, often depicted with her children, in a composition imbued with tenderness and softness. The mother is shown in a protective and loving posture, surrounded by her children, which enhances the warm atmosphere of the scene. The painting is rich in decorative details, with stylized patterns that complement the central figure and create a harmonious ambiance.

Mother with Children stands out for its emotional and decorative approach to the subject. Klimt uses soft colors and elegant patterns to create an intimate representation of motherhood, while incorporating ornamental elements that enrich the composition. The work reflects Klimt’s sensitivity to familial themes and his ability to create images that are both beautiful and deeply expressive.

63 – Malcesine on Lake Garda – Gustav Klimt

Malcesine on Lake Garda is a painting created by Gustav Klimt in 1913. This work is part of the series of landscapes Klimt painted during his stays in the Lake Garda region of Italy.

In Malcesine on Lake Garda, Klimt captures the view of the small town of Malcesine, situated on the shores of Lake Garda. The painting depicts a picturesque landscape with mountains in the background, the serene lake, and the charming town in the foreground. The composition is enriched by vibrant colors and delicate details of the landscape, with particular attention to the interplay of light and reflections on the water.

Malcesine on Lake Garda stands out for its expressive use of color and light to create a calm and idyllic atmosphere. Klimt employs painting techniques to capture the natural beauty of the place while integrating stylistic elements that reflect his unique approach to landscape painting. The work offers an elegant and soothing vision of the Italian landscape, showcasing Klimt’s ability to transform natural scenes into captivating artistic compositions.

64 – Music – Gustav Klimt

Music is a painting created by Gustav Klimt in 1895. This work is one of the early examples of Klimt’s distinctive style, which blends Symbolist and decorative elements with evocative themes.

In Music, Klimt represents a scene inspired by music, often symbolized by female figures either performing or in contemplation. The painting features characters surrounded by decorative motifs and rich colors, creating an atmosphere that is both elegant and expressive. The composition highlights the harmony between the figures and the ornamental elements, reflecting the influence of music on the artwork.

Music stands out for its artistic approach to representing musical themes. Klimt uses vibrant colors and stylized patterns to enhance the mood of the painting while integrating decorative elements that enrich the composition. The work illustrates Klimt’s ability to combine symbolic themes with decorative aesthetics, offering a visually captivating and emotionally resonant vision of music.

65 – Nuda Veritas – Gustav Klimt

Nuda Veritas is a painting created by Gustav Klimt in 1899. This work is an emblematic example of Klimt’s exploration of symbolic and allegorical themes, influenced strongly by the Symbolism of the late 19th century.

In Nuda Veritas, Klimt depicts a nude female figure embodying the concept of naked truth. The woman is placed at the center of the composition, surrounded by symbols and ornamental motifs that enhance the allegorical message of the work. The figure holds a mirror, symbolizing revealed truth and introspective reflection. The background is rich with decorative patterns and vibrant colors, creating a contrast with the central figure.

Nuda Veritas is distinguished by its bold and direct representation of truth, using nudity as a powerful symbol. Klimt incorporates decorative elements and stylized patterns to emphasize the allegorical nature of the work, while offering an artistic vision of the theme of truth. The painting reflects Klimt’s ability to blend symbolism, decoration, and aesthetics into a visually striking and deeply evocative composition.

66 – Portrait of a Lady – Gustav Klimt

Portrait of a Lady is a painting created by Gustav Klimt between 1917 and 1918. This work is one of Klimt’s last portraits before his death and exemplifies his mature style, characterized by rich ornamentation and meticulous attention to detail.

In Portrait of a Lady, Klimt portrays an elegant woman with a graceful posture and penetrating gaze. The painting stands out for its use of complex decorative patterns, luxurious textures, and vibrant colors that captivate the eye. The female figure is often enveloped in stylized patterns that add an additional visual dimension to the portrait. The background is richly decorated with geometric and floral elements that complement the central figure.

Portrait of a Lady is marked by its refined and sophisticated representation of the subject. Klimt employs painting techniques to create an image that is both elegant and richly textured, integrating decorative motifs that enhance the composition. The work reflects Klimt’s mastery of portraiture and his talent for blending portrait and decorative art into a visually captivating harmony.

67 – Portrait of Hélène – Gustav Klimt

Portrait of Hélène is a painting created by Gustav Klimt in 1907. This portrait exemplifies Klimt’s distinctive style, characterized by his use of ornamental patterns and rich colors.

In Portrait of Hélène, Klimt portrays Hélène, an elegant female figure, in a refined and graceful pose. She is often dressed in a gown adorned with complex and decorative patterns, which are a hallmark of Klimt’s style. The background of the painting is rich in ornamental details, featuring geometric and floral motifs that create an elegant and sophisticated atmosphere. The painting highlights Hélène’s face with meticulous attention to detail, capturing both her character and elegance.

Portrait of Hélène stands out for its blend of realism and stylization. Klimt uses vibrant colors and decorative patterns to create an image that is both intimate and visually captivating. The work reflects Klimt’s ability to integrate decorative elements into his portraits while showcasing the personality and style of the subject.

68 – Portrait of Baroness Elisabeth Bachofen-Echt – Gustav Klimt

Portrait of Baroness Elisabeth Bachofen-Echt is a painting created by Gustav Klimt in 1910. This work is a notable example of Klimt’s decorative style and his approach to portraiture.

In Portrait of Baroness Elisabeth Bachofen-Echt, Klimt depicts Elisabeth Bachofen-Echt, a Viennese aristocrat, in an elegant and graceful pose. The baroness is dressed in a gown adorned with complex and stylized patterns, characteristic of Klimt’s Art Nouveau style. The background of the painting is rich with decorative motifs, often featuring geometric and floral shapes that complement the central figure and add a visual dimension to the work.

Portrait of Baroness Elisabeth Bachofen-Echt stands out for its blend of realism and stylization. Klimt uses rich colors and varied textures to highlight the sophistication of his subject, while integrating decorative elements that enhance the composition. The work reflects Klimt’s mastery in creating elegant and ornamental portraits, capturing both the personality and style of the subject with exceptional attention to detail.

69 – Portrait of Emilie Flöge II – Gustav Klimt

Portrait of Emilie Flöge II is a painting created by Gustav Klimt in 1912. This artwork is one of the most famous depictions of Emilie Flöge, a fashion designer and important muse for Klimt.

In Portrait of Emilie Flöge II, Klimt presents Emilie Flöge in an elegant and contemporary pose for the time. She is dressed in a gown richly adorned with stylized patterns and vibrant colors, reflecting Klimt’s distinctive style. The background of the painting features decorative motifs and textures that complement and enhance the central figure, creating a striking visual contrast. The painting highlights Flöge’s sophistication and style while incorporating decorative elements typical of the Art Nouveau style.

Portrait of Emilie Flöge II stands out for its refined and stylized representation of the subject. Klimt uses vivid colors and ornamental patterns to create an image that is both elegant and captivating. The work reflects Klimt’s ability to combine portraiture with decorative design, offering a unique vision of his muse while showcasing his talent for artistic composition and detail.

70 – Water Serpents – Gustav Klimt

Water Serpents is a painting created by Gustav Klimt in 1904. This work is an intriguing example of Klimt’s Symbolist period, where he explores themes related to nature and mysticism.

In Water Serpents, Klimt depicts serpents or aquatic creatures within a natural setting. The composition of the painting is rich in ornamental details and stylized patterns, characteristic of Klimt’s Art Nouveau style. The serpents, often stylized and intertwined, are rendered with vivid colors and complex textures that stand out against a decorative background. The artwork integrates natural and decorative elements to create a mysterious and intriguing atmosphere.

Water Serpents is notable for its expressive use of color and patterns. Klimt blends elements of nature with ornamental motifs to create a visually dynamic image rich in symbolism. The work reflects Klimt’s interest in symbolic themes and his ability to transform natural subjects into sophisticated and captivating artistic compositions.

71 – Water Serpent II – Gustav Klimt

Water Serpent II is a painting created by Gustav Klimt in 1904. This work is part of a series where Klimt explores symbolic themes related to nature and sensuality, often incorporating ornamental and stylized elements.

In Water Serpent II, Klimt depicts water serpents within an aquatic environment. The serpents, stylized and intertwined, are rendered with vivid colors and intricate decorative patterns. The painting features a dynamic composition where the serpents blend into a background adorned with fluid forms and organic motifs. The contrast between the serpents and the decor creates a mystical and captivating atmosphere.

Water Serpent II stands out for its decorative and symbolic approach to the subject. Klimt uses painting techniques to integrate the serpents into a composition rich in details and textures, reflecting his interest in nature and symbolism. The work demonstrates Klimt’s ability to create evocative and artistically elaborate images, blending natural and decorative elements into a unique visual harmony.

72 – Cows in the Stable – Gustav Klimt

Cows in the Stable is a painting created by Gustav Klimt in 1919. This work depicts a moment from rural life, characteristic of Klimt’s explorations in landscapes and bucolic scenes.

In Cows in the Stable, Klimt portrays an interior scene of a stable with cows. The composition shows the animals in a simple yet richly detailed setting. The cows are rendered with careful attention to texture and form, while the stable’s decor is meticulously painted with subtle design elements. The painting captures the tranquil and rustic atmosphere of agricultural life, integrating decorative motifs that reflect Klimt’s style.

Cows in the Stable stands out for its realistic yet ornate treatment of the subject. Klimt uses natural colors and carefully observed details to represent rural life with artistic sensitivity. The work illustrates Klimt’s interest in the simplicity of nature and his ability to incorporate decorative elements into everyday scenes.

73 – Old Woman – Gustav Klimt

Old Woman is a painting created by Gustav Klimt in 1903. This work exemplifies Klimt’s explorations in portraiture and the representation of human figures in a distinctive and expressive style.

In Old Woman, Klimt depicts an elderly woman with particular attention to detail and expression. The painting shows the woman in a contemplative or melancholic pose, capturing the dignity and complexity of her age. The background is often adorned with ornamental patterns and colors that contrast with the central figure, adding an additional dimension to the composition. The details of the face and clothing are rendered with precision, highlighting the texture and depth of the scene.

Old Woman stands out for its introspective approach to portraiture. Klimt uses painting techniques to create an image that is both realistic and stylized, emphasizing the personality and emotions of the subject. The work reflects Klimt’s interest in themes related to the human condition and his ability to transform representations of aging into deep and meaningful artistic compositions.

74 – Villa on the Attersee – Gustav Klimt

Villa on the Attersee is a painting created by Gustav Klimt in 1914. This work represents an example of Klimt’s interest in landscapes and buildings, with a particular focus on architectural and natural details.

In Villa on the Attersee, Klimt depicts a villa located on the shores of Lake Attersee in Austria. The painting captures the serene setting of the villa surrounded by nature, with the lake and mountains in the background. The villa is represented with precise architectural details, and the painting highlights the harmony between the constructed structure and the surrounding landscape. Colors are often used to create a calm and inviting atmosphere, reflecting the tranquility of the natural setting.

Villa on the Attersee stands out for its ability to combine realistic representation of buildings with an artistic touch. Klimt uses painting techniques to create a vivid and evocative image of the location, while integrating decorative elements that enhance the composition. The work reflects Klimt’s interest in landscapes and his talent for capturing the beauty and serenity of natural and architectural environments.

75 – Portrait of Serena Lederer – Gustav Klimt

Portrait of Serena Lederer is a painting created by Gustav Klimt in 1899. This work is a notable example of Klimt’s portraiture skills, blending his ornate style with a delicate attention to the subject’s details.

In Portrait of Serena Lederer, Klimt depicts Serena Lederer, an important figure in Viennese society. The painting shows Lederer in an elegant and graceful pose, with an expression reflecting both the sophistication and personality of the subject. Lederer’s gown is adorned with detailed and stylized patterns, characteristic of Klimt’s Art Nouveau style. The background of the portrait is often decorated with intricate decorative motifs that add richness to the composition.

Portrait of Serena Lederer stands out for its refined and decorative approach to portraiture. Klimt uses rich colors and ornamental patterns to create a visually captivating image that highlights the personality and status of his subject. The work reflects Klimt’s ability to blend realism and decoration, offering an elegant and artistic vision of Serena Lederer while incorporating stylistic elements that enhance the overall painting.

76 – Portrait of Sonja Knips – Gustav Klimt

Portrait of Sonja Knips is a painting created by Gustav Klimt in 1898. This portrait is a notable example of Klimt’s style at the end of the 19th century, showcasing his talent for depicting feminine beauty and decorative details.

In Portrait of Sonja Knips, Klimt portrays Sonja Knips, a prominent figure in Viennese high society and an art patron. The painting shows Knips in an elegant and refined pose, often with a serene gaze and a dignified expression. Her attire is adorned with intricate decorative patterns and rich colors, characteristic of Klimt’s ornamental style. The background is also decorated with stylized motifs that complement and accentuate the central figure.

Portrait of Sonja Knips stands out for its blend of realism and decoration. Klimt uses vibrant colors and meticulous details to create a portrait that is both intimate and visually captivating. The work reflects Klimt’s interest in elegant portraits and his skill in integrating decorative elements into his artistic representations, offering a sophisticated and artistic vision of Sonja Knips.

77 – Portrait of Rose von Rosthorn-Friedmann – Gustav Klimt

Portrait of Rose von Rosthorn-Friedmann is a painting created by Gustav Klimt in 1901. This portrait is a notable example of Klimt’s ornamental and symbolic style, showcasing his unique approach to female portraiture.

In Portrait of Rose von Rosthorn-Friedmann, Klimt depicts Rose von Rosthorn-Friedmann, a prominent figure in Viennese society. The painting portrays Friedmann in an elegant and distinguished pose, with a contemplative gaze and an expression that conveys both sophistication and dignity. Her attire is richly adorned with decorative patterns, typical of Klimt’s style, featuring intricate details and vibrant colors. The background of the portrait is also decorated with stylized motifs that add an additional dimension to the composition.

Portrait of Rose von Rosthorn-Friedmann stands out for its refined and decorative treatment of the subject. Klimt uses a combination of colors and patterns to create a visually captivating and elegant portrait. The work reflects Klimt’s ability to integrate ornamental elements into his portraits while highlighting the personality and status of his subject, offering a sophisticated and artistic vision of Rose von Rosthorn-Friedmann.

78 – Adam and Eve – Gustav Klimt

Adam and Eve is a painting created by Gustav Klimt between 1917 and 1918. This work exemplifies Klimt’s interest in mythological and biblical themes, represented through his distinctive style.

In Adam and Eve, Klimt interprets the biblical Genesis narrative with a symbolic and ornamental approach. The painting depicts the figures of Adam and Eve in a lush garden, surrounded by decorative patterns and rich colors. Eve, often portrayed with an expression of curiosity or contemplation, holds an apple, while Adam is shown in a protective or attentive pose. The background is filled with floral and geometric motifs, creating an atmosphere that is both mystical and elegant.

Adam and Eve stands out for its expressive use of color and patterns. Klimt combines elements of nature with stylized forms to create a visually rich and evocative composition. The work reflects Klimt’s ability to transform mythological narratives into sophisticated artistic compositions, integrating decorative elements to enrich the painting and enhance its symbolic impact.

79 – Garden Alley with Chickens – Gustav Klimt

Garden Alley with Chickens is a painting created by Gustav Klimt in 1916. This work illustrates Klimt’s interest in bucolic landscapes and everyday scenes, while integrating his characteristic ornamental style.

In Garden Alley with Chickens, Klimt depicts a serene garden scene with a pathway lined by lush vegetation. Chickens roam freely through the garden, adding a touch of everyday life to the composition. The work is marked by the use of rich colors and ornamental details that decorate the natural elements. Trees, flowers, and the path are rendered with stylized patterns and textures reflecting Klimt’s Art Nouveau style.

Garden Alley with Chickens stands out for its ability to transform a simple and natural scene into a richly detailed and colorful artistic work. Klimt uses painting techniques to create a peaceful and inviting atmosphere, while integrating decorative elements that add an additional dimension to the scene. The work reflects Klimt’s interest in the beauty of nature and his ability to infuse everyday scenes with a refined artistic aesthetic.

80 – Study of the Head of a Blind Man – Gustav Klimt

Study of the Head of a Blind Man is a work created by Gustav Klimt in 1900. This painting exemplifies Klimt’s exploration of emotional and psychological themes through his distinctive style.

In Study of the Head of a Blind Man, Klimt presents a portrait of a blind individual with a focus on expressive details. The subject’s face is depicted with pronounced features and an expression that reflects deep introspection or melancholy. The background of the work is often treated with ornamental or abstract patterns, contrasting with the realism of the face and adding a visual dimension to the composition.

Study of the Head of a Blind Man stands out for its empathetic and intense representation of the subject. Klimt uses painting techniques to capture the emotion and condition of the character while integrating decorative elements that enrich the work. The piece reflects Klimt’s ability to combine realism with stylization, offering an artistic and expressive vision of the human condition.

81 – Portrait of Fritza Riedler – Gustav Klimt

Portrait of Fritza Riedler is a painting created by Gustav Klimt in 1906. This work is a quintessential example of Klimt’s style and his talent for ornate and sophisticated portraiture.

In Portrait of Fritza Riedler, Klimt portrays Fritza Riedler, a patron and an important figure in Viennese society. The portrait shows Riedler in an elegant and refined pose, often with an expression of serenity and dignity. Her attire is adorned with complex decorative patterns and rich colors, characteristic of Klimt’s Art Nouveau style. The background of the painting is also rich in stylized motifs, creating a contrast with the central figure and adding an artistic dimension to the composition.

Portrait of Fritza Riedler is distinguished by its combination of realism and decoration. Klimt uses meticulous details and ornamental patterns to create a visually captivating and elegant image. The work reflects Klimt’s ability to capture the personality and status of his subject while integrating decorative elements that enrich the artistic composition.

82 – Portrait of Friederike Maria Beer – Gustav Klimt

Portrait of Friederike Maria Beer is a painting created by Gustav Klimt between 1916 and 1917. This work is a notable example of Klimt’s ornamental style and his approach to female portraiture.

In Portrait of Friederike Maria Beer, Klimt depicts Friederike Maria Beer, an important figure in Viennese society. The portrait shows Beer in an elegant and distinguished pose, with an expression of calm and serenity. Her attire is adorned with complex decorative patterns, typical of Klimt’s style, and the background of the painting is rich in stylized motifs that complement and enhance the central figure. The colors are used to create a sophisticated and harmonious atmosphere.

Portrait of Friederike Maria Beer stands out for its blend of realism and decoration. Klimt employs painting techniques to capture both the personality and status of his subject, while integrating ornamental elements that add a visual dimension to the composition. The work reflects Klimt’s ability to transform portraits into elegant and visually captivating works of art, offering a refined and artistic vision of Friederike Maria Beer.

83 – Portrait of Gertha Felssovanyi – Gustav Klimt

Portrait of Gertha Felssovanyi is a painting created by Gustav Klimt in 1902. This work showcases Klimt’s ornamental style and his ability to capture the personality and elegance of his subjects through refined details.

In Portrait of Gertha Felssovanyi, Klimt depicts Gertha Felssovanyi, a figure from Viennese high society. The painting shows Felssovanyi in an elegant pose, often with an expression that reflects both sophistication and serenity. Her attire is adorned with intricate decorative patterns, typical of Klimt’s Art Nouveau style, with rich colors and ornamental details. The background of the portrait is also decorated with stylized motifs that add visual depth to the composition.

Portrait of Gertha Felssovanyi stands out for its combination of realism and decoration. Klimt uses painting techniques to create a visually captivating and detail-rich portrait, highlighting the personality and status of his subject while incorporating artistic ornamental elements. The work reflects Klimt’s skill in transforming portraits into elegant works of art, offering a sophisticated and artistic vision of Gertha Felssovanyi.

84 – Portrait of Hermine Gallia – Gustav Klimt

The “Portrait of Hermine Gallia” is a painting by Gustav Klimt, created in 1903. This artwork exemplifies Klimt’s ornamental style and his unique approach to female portraiture.

In this portrait, Klimt portrays Hermine Gallia, a distinguished Viennese socialite and art patron. She is depicted in an elegant, poised manner, exuding calm and dignity. Her attire features intricate decorative patterns typical of Klimt’s Art Nouveau style. The details of her clothing and accessories are rendered with remarkable precision, while the background is adorned with stylized motifs that add depth to the composition.

The “Portrait of Hermine Gallia” is notable for its seamless blend of realism and ornamentation. Klimt employs rich colors and elaborate patterns to create a visually striking and sophisticated image, highlighting the subject’s personality and social standing while enhancing the portrait with artistic elements. This work showcases Klimt’s skill in capturing the elegance of his subjects, integrating decorative aspects that intensify the painting’s visual impact.

85 – Portrait of Mada Primavesi – Gustav Klimt

Portrait of Mada Primavesi is a painting created by Gustav Klimt in 1912. This portrait is an iconic example of Klimt’s ornamental style and his mastery of female portraiture.

In Portrait of Mada Primavesi, Klimt depicts Mada Primavesi, a young girl from an influential Viennese family. The portrait shows Primavesi in an elegant pose, with an expression of tranquility and grace. She is dressed in a gown adorned with floral and geometric patterns characteristic of Klimt’s Art Nouveau style. The background of the painting is rich in decorative motifs and vibrant colors, creating a harmonious contrast with the central figure.

Portrait of Mada Primavesi stands out for its seamless integration of realism and ornamentation. Klimt employs painting techniques to capture the beauty and personality of his subject while enriching the composition with decorative details that add visual depth. The work reflects Klimt’s ability to create sophisticated and visually captivating portraits, combining decorative elements with a refined artistic representation of Mada Primavesi.

86 – Portrait of Margarethe Stonborough-Wittgenstein – Gustav Klimt

The “Portrait of Margarethe Stonborough-Wittgenstein” is a painting by Gustav Klimt, created in 1905. This work is a notable example of Klimt’s ornamental style and his skill in capturing the elegance and personality of his subjects.

In this portrait, Klimt depicts Margarethe Stonborough-Wittgenstein, a prominent figure in Viennese high society and a patron of the arts. The painting presents her in an elegant, refined pose, conveying a sense of sophistication and introspection. Her attire is adorned with intricate decorative patterns and rich colors, characteristic of Klimt’s Art Nouveau style. The background is also embellished with stylized motifs, enriching the artistic composition.

The “Portrait of Margarethe Stonborough-Wittgenstein” stands out for its balance between realism and ornamentation. Klimt uses meticulous details and decorative elements to create a visually captivating and elegant image, highlighting the subject’s personality and status. The work demonstrates Klimt’s ability to transform portraits into sophisticated artworks, offering an artistic and refined representation of Margarethe Stonborough-Wittgenstein.

87 – Portrait of Joseph Pembaur, the Pianist and Composer – Gustav Klimt

The “Portrait of Joseph Pembaur, the Pianist and Composer” is a painting by Gustav Klimt, created in 1896. This portrait represents an early exploration of Klimt’s portrait work before his ornamental style became his signature.

In this portrait, Klimt depicts Joseph Pembaur, an influential pianist and composer of the late 19th century. Pembaur is portrayed in a serious and focused pose, reflecting his professional stature and artistic character. His attire is rendered with meticulous attention to detail, while the background is treated in a more subdued manner, contrasting with the more decorative portraits Klimt would later produce.

The “Portrait of Joseph Pembaur” stands out for its realistic and elegant approach. Klimt employs painting techniques to capture Pembaur’s personality and professionalism, while incorporating subtle decorative elements that enhance the composition. The work highlights Klimt’s talent for portraiture and his stylistic evolution, providing an intimate and artistic portrayal of the composer and pianist.

88 – Portrait of Johanna Staude – Gustav Klimt

The “Portrait of Johanna Staude” is a painting by Gustav Klimt, created in 1908. This work is a remarkable example of Klimt’s ornamental and symbolic style, showcasing his talent for depicting female figures with great sophistication.

In this portrait, Klimt portrays Johanna Staude, a prominent figure in Viennese high society. Staude is depicted in an elegant and distinguished pose, often with a calm and assured expression. Her attire is adorned with intricate decorative patterns, characteristic of Klimt’s Art Nouveau style, and the background is rich with stylized motifs that complement and enhance the central figure. The colors are employed to create a harmonious and elegant atmosphere.

The “Portrait of Johanna Staude” is distinguished by its seamless integration of realism and decoration. Klimt uses meticulous details and ornamental elements to craft a visually captivating portrait, highlighting the subject’s personality and status while enriching the composition with artistic elements. The work reflects Klimt’s ability to transform portraits into sophisticated and elegant artworks, offering a refined and artistic vision of Johanna Staude.

89 – Portrait of Marie Breunig – Gustav Klimt

The “Portrait of Marie Breunig” is a painting by Gustav Klimt, created in 1899. This portrait reflects Klimt’s style at the early stage of his career, before he developed his more ornamental and decorative approach.

In this portrait, Klimt depicts Marie Breunig, a figure in Viennese society. She is portrayed in an elegant pose, with an expression that conveys both serenity and dignity. Her attire is rendered with realistic details, though the painting already hints at the stylization elements that would become more prominent in Klimt’s later works. The background is generally more neutral, focusing attention on the central figure without excessive distractions.

The “Portrait of Marie Breunig” stands out for its blend of realism and delicacy. Klimt employs painting techniques to capture Breunig’s personality and presence, while incorporating subtle stylistic elements that enrich the portrait. The work showcases Klimt’s talent for intimate and artistic representation, offering an elegant and refined vision of Marie Breunig.

90 – Portrait of Maria Munk (Unfinished) – Gustav Klimt

The “Portrait of Maria Munk (Unfinished)” is a painting by Gustav Klimt, created between 1917 and 1918. This portrait is an example of Klimt’s unfinished works, offering a fascinating glimpse into his artistic processes and stylistic explorations.

In this portrait, Klimt depicts Maria Munk, a young woman from Viennese high society. The painting presents Munk in an elegant pose, with a thoughtful and introspective expression. Although the work is unfinished, careful details are evident in the depiction of her face and attire, reflecting Klimt’s distinctive style. The background and decorative elements are less developed than in his completed works, but they hint at the ornamental and stylistic intentions of the artist.

The “Portrait of Maria Munk (Unfinished)” is notable for its incomplete nature, which reveals the stages of Klimt’s creative process. The less developed decorative elements and motifs provide insight into how Klimt worked on his compositions. The work offers a unique perspective on the evolution of his style and artistic techniques, while still demonstrating his talent for capturing the personality and presence of his subjects, even in incomplete pieces.

91 – Portrait of Marie Henneberg – Gustav Klimt

The “Portrait of Marie Henneberg” is a painting by Gustav Klimt, created in 1917. This portrait represents Klimt’s mature style, characterized by its decorative richness and meticulous attention to detail.

In this portrait, Klimt depicts Marie Henneberg, a prominent figure in Viennese high society. Henneberg is shown in an elegant pose, with a calm and composed expression. Her attire is adorned with intricate decorative patterns and rich colors, typical of Klimt’s Art Nouveau style. The background is also richly decorated with stylized motifs, creating a harmonious and visually captivating composition.

The “Portrait of Marie Henneberg” stands out for its seamless integration of realism and decoration. Klimt uses painting techniques to capture both the personality and status of his subject while enriching the composition with ornamental elements. The work reflects Klimt’s ability to transform portraits into sophisticated and elegant artworks, offering a refined and artistic vision of Marie Henneberg.

92 – Detail of the Knight from the Beethoven Frieze – Gustav Klimt

The “Detail of the Knight from the Beethoven Frieze” is a section of the famous Beethoven Frieze, created by Gustav Klimt between 1902 and 1903. This decorative frieze was commissioned for the Stoclet Palace in Brussels and is one of Klimt’s major works, showcasing his mastery of the Art Nouveau style and his ability to merge decorative art with symbolism.

The Detail of the Knight features a stylized knight, part of a larger symbolic composition. This detail is rich in ornamental motifs and vibrant colors, with decorative elements that enhance the central figure. The knight is often depicted with ornate armor, an elaborate helmet, and surrounded by intricate decorative patterns that add visual depth and artistic richness to the piece.

The “Detail of the Knight from the Beethoven Frieze” is distinguished by its harmonious integration of symbolic and decorative details. Klimt employs artistic techniques to create a striking visual effect while remaining true to the overall theme of the frieze, which celebrates Beethoven’s music and the heroic struggle for aspiration and spiritual elevation. The knight detail reflects Klimt’s commitment to creating art that combines narrative elements with a sophisticated ornamental aesthetic.

93 – The Lady by the Fireside – Gustav Klimt

“The Lady by the Fireside” is a painting by Gustav Klimt, created in 1900. This work exemplifies Klimt’s more intimate and decorative style before he fully embraced the ornamental and symbolic motifs that would become emblematic of his later work.

In “The Lady by the Fireside,” Klimt depicts a woman sitting comfortably by a fire, in a warm and tranquil setting. The figure is shown in a relaxed pose, with an expression of calm and serenity. Her attire is adorned with decorative details, but the style is more restrained compared to Klimt’s later works. The background is treated subtly, contributing to the intimate atmosphere of the scene.

“The Lady by the Fireside” stands out for its delicate and introspective portrayal. Klimt uses painting techniques to capture the softness and intimacy of the scene while incorporating decorative elements that enhance the composition. The work reflects Klimt’s ability to create portraits that blend realism with artistic sensitivity, offering a glimpse into his stylistic development during that period.

94 – The Sable Fur (Unfinished) – Gustav Klimt

“The Sable Fur (Unfinished)” is a work by Gustav Klimt, created in 1899, that remains incomplete. This piece is an example of Klimt’s early explorations in portraiture and his focus on texture and material representation.

In “The Sable Fur (Unfinished),” Klimt portrays a woman wearing a sable fur coat, with particular emphasis on the luxurious texture and ornamental details of the fur. The painting presents a female portrait where the fur plays a central role, featuring meticulous details that showcase Klimt’s technique in capturing the richness of materials. Although the work is unfinished, sketches and details reveal the attention given to texture and fabric quality.

“The Sable Fur (Unfinished)” stands out for its exploration of textures and materials. Klimt uses painting techniques to represent the fur in a realistic and tactile manner, despite the work’s incomplete state. The piece reflects Klimt’s stylistic concerns of the time and provides insight into his skills in depicting details and textures, highlighting his approach to working on compositions before finalizing them.

95 – The Girl with the Blue Veil – Gustav Klimt

“The Girl with the Blue Veil” is a painting by Gustav Klimt, created in 1898. This work is representative of Klimt’s style at the end of the 19th century, before he fully developed his ornamental motifs and more complex compositions.

In “The Girl with the Blue Veil,” Klimt depicts a young woman draped in a translucent blue veil that partially envelops her silhouette. The portrait highlights the softness and delicacy of the female figure, with a particular focus on the details of the fabric and the light playing through the veil. The girl’s face is serene and contemplative, capturing an expression of tranquility and grace.

“The Girl with the Blue Veil” stands out for its subtle treatment of texture and light. Klimt employs painting techniques to create an ethereal atmosphere around the figure, emphasizing the veil’s transparency and the delicate details of her attire. The work reflects Klimt’s ability to capture the beauty and sophistication of female subjects, offering a glimpse into his artistic style before he adopted more decorative and symbolic elements in his later works.

96 – The Black Feather Hat – Gustav Klimt

“The Black Feather Hat” is a painting by Gustav Klimt, created in 1902. This piece is a captivating example of Klimt’s portraiture, showcasing his attention to ornamental and symbolic details.

In “The Black Feather Hat,” Klimt depicts an elegant woman wearing a hat adorned with black feathers. The portrait highlights the hat as the central element of the composition, with the feathers adding a dramatic and stylized dimension to the work. The female figure is portrayed with a serene and refined expression, and her attire is rendered with meticulous detail, reflecting Klimt’s skill in capturing the sophistication and style of his subjects.

“The Black Feather Hat” stands out for its ornamental treatment and focus on accessories. Klimt employs painting techniques to create a rich and visually captivating texture, emphasizing the hat and feathers with artistic precision. The work demonstrates Klimt’s ability to blend realism with ornamentation, producing an elegant and memorable portrait that accentuates the beauty and style of the depicted figure.

97 – Portrait of a Lady in White – Gustav Klimt

“Portrait of a Lady in White” is a painting by Gustav Klimt, created in 1917. This portrait is representative of Klimt’s mature style, characterized by meticulous attention to decorative details and a sophisticated color palette.

In “Portrait of a Lady in White,” Klimt depicts an elegant woman dressed in a white gown adorned with delicate patterns. The figure is posed gracefully, with a calm and composed expression. The background is richly decorated with stylized motifs, often in tones of gold and silver, which complement and accentuate the central figure. The contrast between the whiteness of the gown and the decorative elements of the background creates a harmonious and visually appealing composition.

“Portrait of a Lady in White” stands out for its harmonious integration of realism and ornamentation. Klimt uses artistic techniques to capture the delicacy of the gown and the personality of his subject while enriching the painting with sophisticated decorative details. The work reflects Klimt’s mastery in creating elegant and refined portraits, highlighting the beauty and style of the depicted figure.

98 – Portrait of a Lady with a Purple Scarf – Gustav Klimt

“Portrait of a Lady with a Purple Scarf” is a painting by Gustav Klimt, created between 1917 and 1918. This portrait is a typical example of Klimt’s ornamental style, showcasing his talent for rendering details and textures.

In “Portrait of a Lady with a Purple Scarf,” Klimt depicts an elegant woman draped in a richly adorned purple scarf. The painting captures the woman in a graceful and serene pose, with a calm and contemplative expression. The scarf is a central element of the composition, decorated with intricate patterns and vibrant colors that contrast with the more neutral or subtly decorated background.

“Portrait of a Lady with a Purple Scarf” stands out for its detailed treatment of textiles and ornamental patterns. Klimt uses painting techniques to create a rich and visually captivating texture in the scarf, while incorporating decorative elements that add depth to the composition. The work reflects Klimt’s mastery in depicting fashion and accessories, offering an elegant and sophisticated portrait of the female figure.

99 – Portrait of a Lady (Mme Heymann) – Gustav Klimt

“Portrait of a Lady (Mme Heymann)” is a painting by Gustav Klimt, created in 1917. This portrait exemplifies Klimt’s mature style, with a particular focus on ornamental details and the sophisticated representation of female figures.

In “Portrait of a Lady (Mme Heymann),” Klimt depicts Mme Heymann in an elegant pose with a calm expression. She is dressed in an outfit adorned with refined patterns and rich colors, characteristic of Klimt’s Art Nouveau style. The background of the painting is often decorated with stylized elements and complex motifs that complement and enhance the central figure.

“Portrait of a Lady (Mme Heymann)” stands out for its ornamental and detailed approach. Klimt employs painting techniques to capture not only Mme Heymann’s personality but also to enrich the portrait with sophisticated decorative elements. The work reflects Klimt’s ability to transform portraits into elegant and artistic masterpieces, highlighting the beauty and style of his subject with remarkable finesse.

100 – Schubert at the Piano II – Gustav Klimt

“Schubert at the Piano II” is a painting by Gustav Klimt, created in 1899. This work illustrates Klimt’s style at the end of the 19th century, before he turned towards more ornamental and symbolic compositions.

In “Schubert at the Piano II,” Klimt depicts an intimate scene with the composer Franz Schubert seated at the piano. The painting captures a moment of concentration and creativity, with Schubert deeply immersed in his music. The work highlights the contrast between the central figure and the background, which is often rendered with less detail, serving to accentuate Schubert’s presence.

“Schubert at the Piano II” stands out for its realistic representation and its ability to capture the musical atmosphere. Klimt employs painting techniques to emphasize the intensity of the moment, while adhering to his more subdued artistic approach of this period. The work reflects Klimt’s interest in music and artistic figures, offering a contemplative and respectful portrayal of Schubert, and showcasing his talent for capturing moments of inspiration and concentration.

Bonus 1 – Head of a Woman (1917) – Gustav Klimt

“Head of a Woman (1917)” is a painting by Gustav Klimt that represents one of his later portraits. This work exemplifies Klimt’s distinctive style from this period, marked by a meticulous attention to detail and a continued exploration of decorative themes.

In “Head of a Woman (1917),” Klimt focuses on the face of a woman, highlighting her expression and character through subtle details. The woman is depicted with serenity and introspection, with her face being the focal point of the composition. The background and decorative elements are often stylized, incorporating ornamental patterns typical of Klimt’s Art Nouveau style.

“Head of a Woman (1917)” stands out for its integration of realism and ornamentation. Klimt employs painting techniques to create a delicate texture in the woman’s face, while enriching the work with decorative elements that add depth and visual interest. This painting reflects Klimt’s ability to capture the complexity of human emotions while remaining true to his distinctive artistic approach, offering a profound and elegant insight into his subject.

Bonus 2 – Sketch and Study for the Allegory of Sculpture – Gustav Klimt

“Sketch and Study for the Allegory of Sculpture” is a preparatory work created by Gustav Klimt for his renowned painting “Allegory of Sculpture.” These studies illustrate Klimt’s creative process prior to the completion of the final work.

In “Sketch and Study for the Allegory of Sculpture,” Klimt explores various compositions and poses for the central figure of the allegory. The sketches and individual studies reveal the development of visual and symbolic elements that would be integrated into the final painting. These studies showcase different variations of the sculpture figure, its ornamental details, and Klimt’s vision for the interaction between various components of the composition.

“Sketch and Study for the Allegory of Sculpture” is notable for its role in Klimt’s artistic process. These preparatory works provide valuable insight into how Klimt planned and experimented with his compositions before finalizing his artwork. They illustrate Klimt’s mastery in developing intricate details and creating the visual harmony that characterizes his distinctive style.

Bonus 3 – Orchard with Roses – Gustav Klimt

“Orchard with Roses” is a painting created by Gustav Klimt in 1905. This work is part of Klimt’s explorations into landscape genre, showcasing his artistic sensitivity to nature and visual composition.

In “Orchard with Roses,” Klimt depicts a lush garden, rich in color and detail. The painting features an orchard adorned with roses, presenting an abundance of flowers and foliage that fill the composition. The roses, rendered with vibrant color strokes, create a rich and ornate visual effect, while the landscape is treated with a subtle and nuanced color palette.

“Orchard with Roses” stands out for its decorative approach and attention to botanical details. Klimt employs painting techniques to capture the beauty and complexity of the garden, creating a floral and enchanting atmosphere. The work reflects Klimt’s interest in natural motifs and his talent for integrating decorative elements into his landscapes, offering an artistic and harmonious vision of nature.

Bonus 4 – Tragedy – Gustav Klimt

“Tragedy” is a painting created by Gustav Klimt in 1898, illustrating the emotional and symbolic themes present in the early stages of his artistic career. This work is part of his exploration of the human condition and deep experiences.

In “Tragedy,” Klimt depicts a scene imbued with melancholy and drama. The painting features a symbolic composition where the central figure is often surrounded by elements that highlight the emotional intensity of the subject. The characters are portrayed with expressions of pain or deep reflection, and the treatment of color and forms contributes to the dark and introspective atmosphere of the work.

“Tragedy” stands out for its exploration of human emotions and its use of symbolism to express profound feelings. Klimt employs artistic techniques to create a poignant atmosphere and a visually captivating representation of tragedy. The work reflects Klimt’s ability to combine decorative elements with emotional exploration, offering an artistic and complex vision of the human condition.

Conclusion: The Timeless Legacy of Gustav Klimt

At the end of this journey through Gustav Klimt’s 100 most famous paintings, we can only be awed by the richness and diversity of his work. From his early academic works to his later, more modern canvases, Klimt transcended the artistic conventions of his time to create a unique and inimitable style.

Klimt’s art, with its sumptuous gilding, intricate patterns, and bold sensuality, continues to captivate audiences worldwide. His paintings are not mere images but true portals to a universe where beauty, eroticism, and symbolism intertwine harmoniously.

Klimt’s influence on modern art is undeniable. His innovative approach to representing the human body, his mastery of color, and his ability to merge realism and abstraction paved the way for many artists who followed in his footsteps.

More than a century after their creation, Klimt’s works retain their emotional power and their ability to provoke thought. They invite us to reflect on the human condition, on beauty in all its forms, and on the transformative power of art.

By exploring these 100 masterpieces, we have not only traversed the career of an exceptional artist but also journeyed through a pivotal era in the history of art. Gustav Klimt’s legacy, embodied in these magnificent canvases, will undoubtedly continue to inspire and move future generations, demonstrating art’s ability to transcend time and cultures.